Sunday, May 13, 2012

Waiting for Telegrams - a PAFA MFA Thesis Show 2012



Fruitless. Ornamental pear and concrete, 10”x12”x46”, 2012.


Owl. Ornamental pear on spruce, 16”x14”x53”, 2012.

Diverged Wood. Maple on spruce, 24”x16”x92”, 2012.

18 Stone. Ornamental Pear on maple, 16”x20”x90”, 2012.

Diverged Wood. Maple on spruce, 24”x16”x92”, 2012.

A Colony of Paths/Emerge. Spruce on cherry, 46”x18”x54”, 2012.

A Colony of Paths/Emerge (detail)

A Colony of Paths/Emerge. Spruce on cherry, 46”x18”x54”, 2012.

18 Stone. Ornamental Pear on maple, 16”x20”x90”, 2012.


Dancer. Alabaster on maple, 28”x22”x64”, 2012.



Dancer (detail)



The Imp. Soapstone on cherry, 6”x6”x45”, 2012.

SureFooted. Holy, maple, cherry, and spruce, 75”x65”x44”, 2012.


Stonewall’s Arm. Holly and maple, 20”x22”x146”, 2012.

Stonewall’s Arm (detail)






The crack of a masons hammer reverberates to the soul. Quietly passionate with a romanticized craft of construction, I adopt an ethos of manual labor and self-sufficiency. Wood, left to decay and be swallowed by sediment, begs to be lifted up and revered as potent, fertile. Stones shine below layers of age, sinking further with each passing year. Chisels and saws defy death with life, called out by the response of stone or wood. The warning of a splinter tearing or the reassuring thud of good material guides the hand to the next move. Hidden among the calming repetition of tools and mallets, violence and dust envelope the scene – scarring and work lays bare the life of our world and the interactions therein.

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